宇宙兄弟: Space Brothers, a review

It must be Made in Japan week here at Bicycle Astronomy. Yesterday I reviewed a cool Japanese bell for your bicycle. Today I’m reviewing a cool Japanese anime (animated series) for all you astronomy and space nerds out there who might relish a pretty realistic story about two brothers who decide to become astronauts.

In the past, I have mused about the (justifiable) costs of space exploration compared to the (unjustifiable) costs of say, plush toys in the (vague) form of animated children’s characters (here), and also why the US’s woeful manned space program doesn’t mean the end of humanity’s journey to the stars (here). Space Brothers comes from the same unabashedly idealistic vision of space as a frontier for human betterment.

Space Brothers, or 宇宙兄弟 (Uchū Kyōdai), was originally a manga (graphic novel) by Chūya Koyama, that was quickly made into an anime and then a live-action film (that I have yet to see). The anime can be screened, with subtitles, on Crunchyroll. Episodes hit that service just days after they show on Japanese TV. So this winter, while my wood stove has warmed my body through the cold months, Space Brothers’s 15 minute episodes have kept me looking up in spite of the clouds.

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Space Brothers focuses on two brothers who share the dream of going into space. That’s them as children in the inset of the image above, right before they witness a UFO speed off in the direction of the moon. I know, my rational readers are like What? First a space pug and then a UFO? and are wondering if perhaps the Bicycle Astronomer has been ringing that Suzu bell a bit too close to his ears. But the otherworldly is kept at arm’s length in the story, and instead what you get is a pretty realistic, rational, and actually quite fascinating drama about people trying to realize humanity’s ago-old dream to travel to the stars.

(Oh, and there’s a pug in it too, though I have yet to see him in a space suit, except on the promotional materials.)

Hibito, the younger brother (who is blond for some reason) sticks with his determination to become an astronaut and is continuing his training with NASA in Florida, preparing for a lunar mission. Meanwhile, his older brother Mutta (with curly hair, also not exactly a normal thing for the Japanese) has strayed off course and is a car designer. Or at least, he is until he head-butts his boss for a crack against his younger brother, and finds himself out of a job, living at home.

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Mutta soon follows in his younger brother’s footsteps, taking multiple exams and facing myriad challenges, interpersonal, personal and formal, on his way to becoming a JAXA (Japan’s space agency) astronaut. The story proceeds slowly. There is no fast montage to get Mutta into a space suit so he fly off to Mars with Hibito only to end up in fierce hand to hand combat with a skinless former astronaut turned demon….thing.

Nope, you get what is called a “slice of life” drama in anime lingo, with characters that are slowly rounded out from cartoonish simplifications into fully-formed and complex people. And the story expands beyond Mutta and Hibito, encompassing a large cast of fleshed-out characters from a wide variety of social backgrounds.

I suspect a lot of details about the JAXA astronaut exams and training exercises are true to life. If you enjoyed The Right Stuff, you will like Space Brothers, though the latter does not share the winky sarcasm of the former.

Give Space Brothers a bunch of episodes before judging it, because it’s a bit slow. The episodes are also very short, and they often spread out a single cliffhanger over several installments (like Mutta and the other candidates waiting for the results of the third and final exam). By that story arc’s denouement, however, I realized that the pace of the show was trying to communicate a fundamental point: it’s the process, all its constituent moments and minute details, and the people involved in that process, that matters. Not the end goal. Not failure or success, nor any one person.

“The people involved in that process” are endearing, and memorable. The traditional salaryman who yearns to do something important even though it means sacrificing a lot of time with his family, the older rocket designer who has already lost his family to his work and now wants to pilot the rockets he has created, the doctor who wants to use her time in space to cure a disease that took her father’s life, the primatologist who struggles with the realization that he actually likes other people…these characters are not one-dimensional, they change, and they surprise you.

We simply don’t make animations like this in the US. Heck, we don’t make live action science fiction with this earnest complexity. If we did, you can bet there would be more support for a manned space program. Instead, our studios and filmmakers spend millions on cool sets and special effects, all to get our heroes to some exotic planet where they get undressed and battle some gooey, tentacled monster with a fire axe. (I’m talking to you, Prometheus!) In Space Brother’s, childhood UFOs aside, it’s all about keeping it real. And refreshingly optimistic.

Go watch now.

Earthgazing

OVERVIEW from Planetary Collective on Vimeo.

I’ve explored the circumstances and effects of looking at the Earth from space several times on this blog. In “Two Self Portraits”, I compared two different snapshots of Earth, and in “Gifts from the Sky“, I wrote about the first photograph of earth from space, and what it reveals about the darker origins of the space program, and our particular evolutionary moment. In both, I was actually circling around a concept that, at the time of writing, I didn’t know had a name. It’s called the Overview Effect, and roughly speaking, it’s the profound experience of shifting perspectives that occurs when a person views the planet as a singular whole for the first time, likened by some to the state of euphoria experienced by monks in deep meditation or me eating baklava in Istanbul. As the following documentary illustrates, however, at least some of the astronaut corps have experienced it, and though their interpretations range from intellectual to spiritual, the tenor of what they take away from it seems to have a common thread. There we are, on Spaceship Earth, our only one. Overview, a new short documentary by Guy Reid, a member of Planetary Collective, is excellent: thought provoking and moving, and very well shot. Set aside 20 minutes, and check it out. I can’t tell for sure, never having been in space, but the way some of these astronauts talk about it, it reminds me of similar feelings of astronomy-related euphoria I have felt, for example, watching a meteorite strike the earth. And consider the following passage from this post, describing something that sounds awfully close to the Overview Effect, but from an earthly vantage point:

Humans are to be forgiven for sticking to the flat-earth hypothesis for so long (though now it’s a pig-headed to persist in this heresy.) The idea of standing upright on the giant sphere does strike us as somewhat counterintuitive. Though I have to admit that sometimes, during long observing sessions under a clear sky studded with stars, planets, the band of the Milky Way sprawling from horizon to horizon, and the zodiacal light rising like a aurora in the pre-dawn eastern sky, I have had the distinct feeling that not only was I on a sphere, but that I was also falling into the sky. No drugs involved, I promise, just a shift in perspective from hours of watching the sky slowly change around me. It was dizzying and incredibly illuminating, and represents for me one of my biggest achievements as an astronomical observer: actually feeling the reality of the our vantage point.  The correct words for that emotional cocktail is delight and awe. If our armed forces could drop that from the sky instead of bombs, we’d win every heart and mind in sight.

NASA Announces New Mars Rover: De ja vu, all over again…

Earlier this week, the pencil-pushing skydreamers of NASA held a press conference that landed like a bomb among the planetary community; they would build and launch another Mars rover in 2020 based on the Curiosity platform, but with new, as yet undecided instrumentation. Long-memoried space program observers may be reminded of the Skylab program in the 1970s, a somewhat creative reuse of leftover Apollo hardware. You can watch all 52 delicious minutes of associate administrator John Grunsfeld’s press conference here:

 

Reactions varied, but most, like the inital tweets of the Planetary Society’s excellent Emily Lakdawalla (you can read her tweets here) were incredulous. The planetary science program at NASA is facing a 309 million budget cut this year. Existing missions with life left in them, like Cassini in the Saturn system and Messenger orbiting Mercury, may be ended early because of budget constraints that those poor satellites will never understand. We’ll just stop returning their calls. We won’t even tell them we just want to be friends.

There are also tantalizing destinations like Jupiter’s moon Europa that many planetary scientists are keen to explore, because of the possibility of vast subsurface oceans of liquid water warmed by the tidal forces of Jupiter and the other Galilean moons. All these new places to visit, and NASA seems to have Mars myopia. Another scientist, Chris Rowan, tweeted “ It looks like we should try renaming all the Jovian moons ‘Mars’ and then ask to fund a mission there…” Kristin Block, who works on rover missions, and who tweets @Marsmaven, summed up a good deal of the reaction:

I love Mars. But there’s this thing about *exploring*. You go to new places when you can. & you don’t stop listening to working spacecraft.

In long form reactions, Stu at the Cumbrian Sky blog typed up a nice essay that argued that another Mars rover should have a high-profile raison d’etre, like specifically looking for life. NASA, however, doesn’t even have a clearly defined scientific mission for this new rover, which seems a bit like the cart before the horse. Emily Lakdawalla blogged about this and added that in creating this new mission, NASA seems to be ignoring a recent study it commissioned that said that the next big step in Mars exploration is returning actual samples back to earth. The Planetary Society’s official reaction was more muted and stately, affirming the enduring coolness of Mars and Mars Rovers (none can deny), but using the announcement–and the success of the Mars missions themselves–to push for a restoration of the 309 million in the 2103 Planetary Sciences Division budget.

So what’s going on here? Why, after the stunning victory of the Curiosity landing, which still makes me smile with wonder and delight every time I think about it, and I try to think about it at least once a day (it got me through this election cycle!)  is NASA trying to do it all over again instead of coming up with something newer, bolder, even more insane and risky?

Three reasons, the first two obvious and the third not so much so. The first is the opportunity provided by the leftover tech from the Curiosity probe. My DIY, creative reuse heart appreciates that. I can see an administrator looking at all of that and saying, Hey, we can launch another one of these things! Second is that, as I understand it, the 1.2 billion projected cost of the second rover (not such a great savings from that leftover tech I guess) is already budgeted, so it’s not a new mission from the point of view of the money watchers in the beltway. This also explains why NASA is not talking about sample return–that’s a more ambitious mission that would require more money. So in that way that institutions do, NASA is making the best of what they have.

The third reason lies in the DNA of NASA itself. I was shocked (and as I mentioned, delighted) by the bravura plan to land Curiosity on Mars. Part of my incredulity was how, um, ballsy, a move it was for a bureaucracy like NASA. I think they must have really felt the need for either a splashy Yeah! In your face! to boost sagging morale, lackluster budgets and dismal public recognition, or a dramatic coup de grace to finish themselves off with one thud on the Red Planet. Just imagine if that thing had crashed on impact. 2.5 billion down the drain. Whatever it was, it was an awesome moment for humanity, and it paid off.

Given the drama of the Curiosity landing, and the stress NASA administrators must have sweated out of their brows during those tense few minutes of descent, their conservative, let’s do what we’re good at approach now is more understandable. They just might not have the stomach lining at the moment for a very different descent to the surface of Europa. And anyway, there’s no budget line for that yet. It’s a sad state of affairs. I tempered my lamentation on the loss of the space program with a consideration of space exploration as a human, not national endeavor, and by the continuing successes of the unmanned exploration missions. Without the latter, well, it’s just sad.

Good science can certainly come from another Mars Rover. Focusing on Mars isn’t necessarily a bad thing. In the long run, we will want to answer all our questions everywhere, and from that point of view, depth or breadth is not important, as long as there is exploration going on.

NASA should think twice about it’s public relations strategy, however. The next Mars probe landing won’t be such a hit, and just remember how many people tuned in to those repetitive shuttle launches. There goes another one. Novelty drives not just the news cycle but also plays a key role in the fundamental human drive to explore. NASA really wowed us with Curiosity. And part of the sting of the December 4th press conference was that we were expecting NASA to be audacious again. Audacity would be a great name for a planetary probe. Hesitant, Tentative or Incremental, not so much.

Curiosity Mars Landing…the HD version

A guy by the name of Bard Canning (he’s available for video post-production folks) spent 4 weeks interpolating the 4-frame per second footage taken by Mars Curiosity lander’s downward-facing camera into a 30 frame per second HD extravaganza. It’s really stunning work. Go to full screen and up the quality. I threw Bard a few bucks for his effort, his has donation links on the youtube page for the film.

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